a cat's face on a piece of paper

Wood Engravers Network (WEN) Summer Workshop

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Wood engraving might be something you’re not familiar with. It’s a printmaking method invented in England in the 1700’s to illustrate newspapers. Now, in modern times, it still serves this purpose, but is also a technique some artists use to make original prints with.

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Beginning students being taught by WEN founder Jim Horton. photo by Tony Drehfal
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Myself carving a tiny block, photo by Tony Drehfal
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Inari Krohn, guest artist from Finland, giving a talk
A print of Inari’s
A print of Inari’s

The national organization for wood engravers holds an annual workshop for its members and for anyone who is interested in learning the technique. This year the workshop was held in Bryan, TX, with a guest artist from Finland.

During the workshop we got to enjoy each others company, make new friends, learn about engraving and make a couple field trips to museums with impressive book and print collections.

Sylvia Pixley enjoying a moment of carving, photo by Tony Drehfal
Sylvia Pixley enjoying a moment of carving, photo by Tony Drehfal
On a field trip to the print room at Texas A&M Cushing Memorial Library. Photo by Tony Drehfal.
On a field trip to the print room at Texas A&M Cushing Memorial Library. Photo by Tony Drehfal.

PaperPapers.com was kind to send us some paper for the workshop. Members tried the different textures and colors when proofing their engraved wood blocks.

The papers that worked best for fine art purposes were the Savoy- line 100% cotton papers. They have a velvety smooth texture, perfect for picking up detail from a wood engraving and are archival, to make sure our artwork lasts.

Savoy Papers
Savoy Papers
Arturo Papers
Arturo Papers

Other favorites were Arturo, Remake and Crush papers. Arturo had a nice texture on it, and Remake and Crush were smooth, but the paper has nice flecks of fibers to add visual texture to it. Remake and Crush are not archival, so they wouldn’t work for fine art prints, but are perfect for cards and stationery.

Remake papers
Remake papers
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I wanted to proof a small block on the papers. I Printed on the various Savoy papers and Arturo, and my setup consisted of a proofing press, and I used 3 sheets of paper over the printing paper for added pressure and give.

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These were 184lb and gray 236DT cover card stock on the left and on the right a sheet of arturo. You can see on the arturo, the pressure was too light first and you see a lot of the texture of the paper. I adjusted pressure w an extra sheet of paper on the top and it printed great the next time (pic above).
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In this closeup picture, the left side is Savoy 118lb paper and on the right is Savoy 92lb paper. The bottom left cat was printed with the same pressure as the 92lb paper, and the image is a little too dark. Some of the details is gone, so I took out one thin sheets of paper that were buffering, and the resulting pressure gave me the image above it, which is a nice impression (looks a little blown out because of side lighting).

If you are interested in wood engraving or want to join our group: information and resources can be found at http://woodengravers.org. Our next big summer workshop will be held in New Jersey.

Written by Mirka Hokkanen for Paper-Papers.com. www.mirkah.com

WoodEngraving

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